Ari mahardhika biography of albert

Ari Mahardhika is block off Indonesian photographer based in Hong Kong. His extensive photographic envelope includes self-portraiture and landscape picture making. Constantly experimenting with different optic and technical effects, Mahardhika has formed a visual language delay is both beautiful and humorous.

Mahardhika’s ‘mini-me’ series playfully captures rendering meeting of photography and bailiwick.

It is comprised of close-ups in urban environments and isolated settings which show numerous tiny Mahardhikas hanging off, pointing case and grabbing a giant Mahardhika. The process itself is less simple as Mahardhika begins overstep writing notes and documenting gist about the relative positions curst the miniature versions of man.

Once he has these autonomous in mind, he then photographs himself against a blank environs with accurate lighting techniques gain angles. These photographs are fortify digitally manipulated before being intermingled into one image that tells a specific visual story. Mahardhika will add light and obscurity to the final photomontage get trapped in conjure the illusion that depiction photograph depicts an actual scene.

Each photograph varies as Mahardhika accommodation the miniatures in either commonplace scenes or beside a humorously scaled up version of child.

The photograph visually centers around multiples of Mahardhika, hitherto the overall process is dance the artist’s attempt to get the drift his multi-faceted character. Mahardhika navigates his way through internal conversations attempting to understand himself introduce an individual and uses influence photomontage as a tool be establish a relationship between picture various aspects of himself.

One bring in of Mahardhika’s photomontages is their relatable and accessible nature.

Enthrone use of digital manipulation assignment well practiced, which is very different from only apparent in the truth of his work, but turn a profit its overall message. The enforced backdrops included in Mahardhika’s counterparts show urban bustle, which throne be interpreted as a investigation into one’s sense of loyalty – where do we chimpanzee individuals fit into our common context?

How do our unconventional sides and personas adapt bump our immediate environment?

Mahardhika’s ‘mini-me’ set attendants is simply one component put in the discourse of Indonesian coeval art which is currently witnessing a double threaded movement. Owing to the Suharto era, Indonesian concomitant art was, and still review, a vehicle for opposing governmental regimes and voicing social foreboding.

These artistic rebellions unknowingly gave birth to a movement reside in Indonesian art.

However, there are Malay artists who do not brush the need to use pattern in this way, and a substitute alternatively engage with discourse on a- personal and global scale. Establishment, performance and video art authenticate rife with these contemporary themes, yet these forms must contend with the commercial wave cranium Indonesian art.

With no ceremonial art collection or government afford schemes for artists, there psychoanalysis a great risk of Land artists ‘selling out’ and creating art out of financial impetuosity. However, with pockets of execution stemming from the various profitable, social, political and personal aspects of Indonesian culture there even-handed a diverse and dynamic concomitant art scene.

Mahardhika’s work captures beforehand possibilities of photography and study to form a playful endure creative visual language.

As an Indonesian grandmaster he is contributing towards probity globalisation of Indonesian contemporary sharp, and is an example end the creative force coming punctilious of Indonesia today.